classic hip hop album, originally released in 2000

three previously unreleased mike dunn recordings taken from sessions recorded between 1989-91, recorded under his md iii alias. acid. tip!

just in time for summer, our down under import dilby returns to mother recordings for the third time with a heavy-hitting and funky ep, sure to set dance floors on fire!same manthe a-side is built on a bed of tropical percussion fused with analog drum sounds and lush deep chords

from a small town called florence, alabama, gene the southern child has been quietly releasing music under the radar for years. florence is part of an area known as “the shoals,” which houses the legendary fame recording studios and is also the hometown of w.c. handy “the father of blues.” hailing from this rich musical history, gene’s unique style is smooth southern hip-hop, incorporating poetry, blues, and soul.

purveyors of fine underground music, joe s bakery, present undiscovered balearic beats, cosmic curveballs and obscure oddities from around the world. the first two releases feature edits by a mysterious collective of music enthusiasts and record diggers by the name of diavol. music to be played by the pool or under the discoball

if vocals of 90s acts like bjork and massive attack, to the choral of female crooners that came out of scandinavia in the 2000s hit a sweet spot, than the voice of gry bagoien will be a welcomed sound. here for scissors & thread, with the help of francis harris and jordan lieb (aka black light smoke), the danish singer debuts on the american label under her own name (rather than using her known gry alias). she delivers a four-track ep of smokey, abstract house music and throughout phantom power bagoien s voice sounds as though it s being projected through an oversized telephone speaker, either in a jazz club next to miles davis, a studio full of deep efdemin arrangements, in the wilderness at a swedish festival or lost in a cosmos of reverb and delay with fever ray.

sometimes the right things just fall into the right place and so it happened with an old track by thomas p. heckmann under his drax disguise, named section 2. originally released as techno s first ever 7inch, it was very popular in 1993 and paved the way for the huge follow ups like drax three -phosphene and the hugely influential and successful drax ltd.ii - amphetamine.

after a nine-year hiatus, sheree rashit and steve bicknell relaunch cosmic records with the transcendence ep within their lost recordings division. founded in 1993, the label ran in conjunction with the pairs infamous lost events, which introduced acts such as jeff mills, robert hood and basic channel to the uk dancefloor. past cosmic releases include productions and remixes from us artists such as juan atkins, tyree cooper, djs funk and rush alongside prominent uk names working under pseudonyms devised for cosmic. having previously released via perfecto and mute, cosmic has provided a home for steve bicknells releases since its inception. his next phase continues the lost recordings series that began in 1996 with the 8th segment, transcendence. comprising 4 untitled tracks in steve bicknells inimitable style - a depiction of the lost dancefloor - transcendence, lr 8 is hypnotic with depth and soul, transcending boundaries. initially vinyl only.

b.riddim is luis sequeira, a portuguese living in london. magic my ear is his second ep for third ear, following the (in) theory ep in 2012. formerly a driving force in the influential portuguese rap group g-ward under the name bellatur, luis followed his love of jamaican dub using electronics to arrive at a sound which is identifiable through the sum of its parts but which is quite unique.

well, well, well! our teutonic chums come through once again with the secret selections you vinyl-junkies love to love! house master boyz get ripped up, but this aint chicago and it aint 1986! that classic acid house refrain gets welded onto some distinctly brand new / retro sonics, an acid laced behemoth that is equal parts new beat and strobe-lit proto house. timeless & powerful floor food, and as such, equally at home in some erol alkan piloted stadium as it is in a stinky basement. a quick flip and the jj jam swaps the faithful homage we found next door for a futuristic steppers workout. roughly hewn stabs underpinned by some rib cage rattling low end registers
300 copies - vinyl only file under: weapons!

its been some time since hood has delivered any new monobox cuts but with m-plants 20 year celebrations well under way he re-introduces us with the tracks film and rectangle.

2x180gr vinyl unmixed. majestic casual represents new electronic music chill-out, experimental, garage, house, pop, hip-hop, indie & many more. the majestic casual youtube channel now serves 1.7m subscribers and has amassed 366 million views to date

sage francis ... relocked and reloaded. after a 4-year hiatus, the indie rap icon is taking his signature style of hip-hop and performance art back on the road to support the june 2014 release of -copper gone- on strange famous records. it features beat production from long-time music affiliates buck 65, alias, cecil otter, reanimator, and more.

totally fresh 4 track 12 by ethiopian born and based artist mikael seifu - bluntly put under the house tag here, but in fact a melting pot of styles is coming together on this beauty. limited pressing. born and raised in addis ababa, seifu attended the french school lycee guebre-mariam as a child, and went on to study music production at ramapo college of new jersey. mikael seifu is an electronic music producer & performer from ethiopia. seifus music is a fusion of ethiopian folk, uk garage & his own dream brew, which he calls ethiopian electronic. his debut ep, yarada lij, draws from a long list of musical influences including endeguena mulu, ben neill, burial, zion rebels, and r.f. 1432 r is an independent record label based in washington dc.

purveyors of fine underground music, joes bakery, present undiscovered balearic beats, cosmic curveballs and obscure oddities from around the world. the first two releases feature edits by a mysterious collective of music enthusiasts and record diggers by the name of diavol. music to be played by the pool or under the discoball.
played by: balearic gabba sound system, joes bakery, matt long (fina records/mono_cult), guillaume des bois (macadam mambo), curt j, faze action, coyote is it balearic?, sacha mambo (macadam mambo)

granulart recordings, with the first three releases, is slowly winning the recognition of techno industry and this new release is no difference, with label owner valentin corujo aka kessell and juan rico under his architectural moniker.

love or hate his infamous twitter beefs there is no denying the legendary status of this house music vanguard. with 20+ years of djing and producing under his belt, this is dj sneak s first release on exploited: a collaboration with murk (oscar g and ralph falcon). back in 2003 murk released dark beat - a track that topped the billboard dance charts and became the underground smash of the year. a few months ago we asked sneak for a remix by mail but we didn t get a reply. after 4 months he suddenly popped up in our mailbox, apologized and said that he finally had some studio time. in the end he sent through some tracks to see if we like them. the rest is history as you re probably listening to one of the tracks right now. this quirky and funky house track (a 10 minute journey) is only the tip of the ice berg though.

through ties with the likes of glenn astro, muff deep, brandt brauer frick and ctepe 57, copenhagens tartelet records have become a coterie for an auspicious breed of modern-day oddball. opting for analogue gear, the tartelet mainstays bring together lopsided sampling and loose-limbed rhythms suffused with a distinctive degree of resistless energy. shapeshifting with each record, the releases continue to roll behind the success of max graefs *rivers of the red planet* lp. the next instalment comes courtesy of a previous collaborator with max - nigerian born vocalist and songwriter kesiana a.k.a wayne snow. now a resident of berlin and with music as his liberator - snow stands at a comfortable vantage point where escape from a tough past is visible. now in full flow - his first ep *red runner* sees snow drop a deluge of soul over grubby rhodes tones, contorted melodies and tumbling drums backed up by remixes from glenn astro and delusions of grandeur regulars session victim.

entropy trax, is the new sister label to kompakt s walls helmed ecstatic imprint. expect limited edition hand artworked white-label 12-s from a variety of artists, focussed on experimental dance floor sounds. the debut release comes from dfa s gavin russom (the crystal ark/black meteoric star) with a titanic double-header that announces the first of a series of releases for the label. recording under his own name for the first time since 2011 s night sky , this material finds russom creating visceral and hypnotic dance floor tracks

for their latest outing, a choice selection of rock, balearic and pop-reggae-disco goes under the razor for some precise trimming and extensions. beard science veterans hardway bros. & 45 badger are joined by glasgows scratchandsniff, and tokyo matt from hong kongs otaku soundsystem.

in times where a rave feels pretty much like a funfair, the chairoplane is still the nicest ride. thinking of kettenkarussell some might remember one of those gathered moments in a low summer night under the clear sky when things made sense for a while. but those memories fade away quite fast or seem really strange a few years later on youtube. so what is it that is left behind? after 10 years of collaboration the couple decided to do an album that might challenge the comfort zone of those who try to keep up that easy living. its a record full of holes. and still this is what keeps them together. in pain we trust... and yes i believe you and me will make love forever...

this fourth release from pressed for time is the labels second various artist ep featuring three known names and one new. the newcomer is ben boe recordings boe under his maad maxx traxxe alias. he provides lakeshore rollin, a linear, dub-tinged slice of thwacking deep house. yse top and tails this 12inch with a chiming, rhode-cruising tomorrows yesterday while his b2 is slower and woozy with a killer smacking hit on the offbeat. label regular rhythm plate also features with the vocal lead i, the music

distorted beauty is the collaborative guise of los angeles based andy slate and berlin based alexander koning, a duo who individually between them have released material via the likes of cr2, global underground and pacha. here we see the pair release a single under their joint alias via koning s own percep-tion records

ltd 2014 repress, vinyl only.
support: barcelona connect, blorp, cy, fcl, gnork, keytars & violins, machines are funky, marius vaaried, matomic, myclick, red d, simon le bon, soft rocks.

old school electro from phil klein (aka bass junkie) and matt whitehead (perc traxx, dont)under their comon name model citizens. totally classic and well done insane driver! b-side brings also the good electro oldschool feeling. and to finish the ep, get a good funky electro bass sound! maximum pleasure! superb ep bringing a fat soundproduction.

it seems like no part of the world has evaded discos ubiquitous inuence, including the caribbean. the caribbean in the late 70s and early 80s was a hotbed of musical activity and this compilation focuses on the best disco-inuenced tracks from trinidad and tobago, jamaica, and the bahamas. all of the tracks here were ocially licensed and reissued for the first time ever. highlights of the 13 tracks included on this compilation are: the under-the-radar cosmic disco tune -got to have you- by joanne wilson, a rare p&p records-inuenced track -dance with me- by odessey one, the icy cool synth-trenched -living on a string- by wild fire, the incredible dance oor-friendly -instant funk- by merchant, and the disco reggae cover of -rapper s delight- by prince blackman. this compilation was compiled and researched by deano sounds and includes edits by al kent, the whiskey barons, and waxist selecta.

badabim badabum here we go again, the shimmy sham sham team brings you another little nugget of love for your summer bacchanals. the season of cold cocktails, skin roasting under the sun and long afternoon spent under a willow tree is finally back. hallelujah! this one is dedicated for those of you who are searching for something better, searching for someone to love and searching for a way to rise higher.

hello - were the nuclear family. weve had roots in glasgows electronic music scene for a while, and weve released music separately in the past, under a variety of names, but none of that is too important. for the past year or so, we’ve been shacked up in a tiny southside studio making house and techno that we hope will stand the test of time.

mystical detroit cyber-techno meets footworking berlin dub-techno.

bristol acetate carver and drum major, lurka launches his black acre debut with three unpredictable drum machine battle drills. kicking off with *holding* a technoid inflected dancehall pounder with a relentless low-end theory. the anxious heartbeat littered with schizophrenic percussion and alarm bells bursting into an undead army marching anthem. with *nah so* we are back on slightly more familiar turf, crushing kick drums perform the body blows under intricate hi-hats programming. *kmt* the most meditative of the three with nods to alan howarths bleak synthesiser work while high-fiveing schooly ds drum machine.

in addition to his work as one half of mista men, london via doncaster producer ryan aitchison has been making solo moves under his mella dee guise these past few years with appearances in all the right places (think wolf music, shabby doll and sccucci manucci).

osiris music uk number thirty nine sees label owner simon shreeve finally come to the fore with the first full solo release under his mønic alias after a pair of successful outings on the open water and habits eps earlier this year. from the breathless opening charge of bloodhound to the tense recesses of the title track which closes the ep, human pattern sees mønic confidently steer both his personal sound and the overall aesthetic of the osiris label deeper into the realm of experimental electronic music. human pattern comes housed in high quality 300 gram outer and inner sleeves, fully printed and adorned with artwork making this a special piece even by osiris usual standards. early support: surgeon, regis, clouds, laurent garnier, amit, paul mac & lakker...

with bla blas existence of 5 years we are very proud to be back at our roots, where we began, with vinyl.bla bla vinyls will be released with the best track of the past releases therefore bla bla down 1 and 2 will be combined into one release.

classic ep from virgo from 1986. 4 classic tracks including r u hot enough.

the idea behind lbl is very simple. we keep getting sent music that we really want to own on vinyl, so weve decided to start pressing these tracks ourselves. everything we have scheduled has a club feel, but past that we think youd be hard pushed to pinpoint a specific style which dominates our releases. for our first release we have music from scott fraser (crimes of the future), people get real (join our club), jamie blanco (ess o ess) and joonipah (nixwax). we could list a whole load of meaningless genres to describe the music to you (machine house, neu acid, bashment techno and hi tek soca) but we think its best you just listen and make your own mind up. currently, all lbl releases will be limited to a pressing run of 300 copies

in the ever-expanding universe of deep house, julius steinhoff is far from being a stranger. half of the dynamic duo smallpeople, founder and one of the steersmen behind hamburgs smallville empire (record store/ label/ party curator around the globe) as well as a producer and dj in his own right, steinhoff is closely associated with a group of like-minded people that unite fresh ideas and individualism with a certain consciousness of tradition.

fresh from impressing with the pulsating techno of boris werner and the fuzzy live house jams of san proper, tom tragos voyage direct label turns to a man who needs little introduction: dutch legend and man of many pseudonyms danny wolfers.
best known under his legowelt alias, wolfers has spent the last two decades flitting between strobe light acid house, 808 electro, fluorescent techno and shimmering space disco. throughout, he has kept his productions pleasingly analogue-heavy, making great use of classic drum machines and vintage synthesizers. while his music may be steeped in the past, wolfers productions always sound like the future.

eduardo de la calle (analog solutions, semantica, non series, mule musiq tokyo, cadenza and more) now runs his new imprint called soul person. the record label has been created to unleashi a new side of eduardo under the new sequential circuits moniker. it shall see the light in a continuing series of references in 2014. its a risky project with hard touches but also melodic and with hook on!

the concept of dusk notes is to cater to both the dancefloor and the introspective listener. founded by cory james, an nyc local and one half of brooklyn techno duo point break, and soramimi, a more experimentally inclined producer, the label aims to focus on the spectral and the subconscious.

the last few years have seen chicago footwork rise to international success, and traxmans debut album - *the mind of traxman* on planet mu - played no small part in that. it showcased cornelius fergusons brilliant ability to synthesise the beat digging of classic hip hop with the high-speed abstraction of footworks house-derived beat science. the selection of tracks on this second chapter show a slightly different take on traxman s abilities. instead of bringing in concepts from other genres, he simply creates a wider variety of footwork, made with a minimal, reduced palette. often just one or two samples are selected and diced into brain-blurring cubist puzzles that bear little relation to their original sources, or anything else for that matter.
the double vinyl lp comes with download code.

first word records proudly presents *the misadventures of a middle man*, the new album from essa. despite being a firm fixture in uk rap for over a decade, this will be essas first full-length since 2006s *grown man business* with dj mr thing. early releases *liquid love*, *city breaks* and *dancing shoes* (under former name yungun) established him as one of the uks most insightful mcs. collabs with guru (gang starr/jazzmatazz) and praise from nas and mark ronson followed. all of this whilst pursuing a parallel career as an entertainment lawyer.

the hyper-chromatic music of matt cutler marks him out as a true impressionist, as lone, he drizzles brightly coloured melody through his tracks with all the reflexive skill of a master painter daubing inks and pigment across paper. on cutlers fifth lone album, reality testing, released on r&s, he sends notes and chords rippling delicately into space before allowing them to disperse, each oozing beautifully away into the background fabric of the music. combined with rhythms that ebb and flow, shifting from propulsive club constructions to beatific coastal hip-hop, it is a sensuous, immersive, heady experience, and easily his most accomplished and selfcontained work to date.
the double vinyl comes with download code for the full album.

isnisnt offers its second release of forward leaning electronics with a diverse group of modern techno from label head jesse siminski. acting under his heartthrob guise, jesse initiates the release with someone called again a tough, but funky, bass driven tune that marries detailed production with his signature ominous melodies to great effect.

the giant monarch ep is a various artists 12 inch from fifth wall records. support from norman nodge, xhin, moerbeck, randomer, fsg, mosca, fred p, and many more.

udopiya is introducing its record label under the name of udopiya dusk & dawn offering a mirror of talented artists (across the planet). the label draws its source from hisham s musical univers who s the multi-instrumentalist of udopiya s family.

dewalta & shannon have teamed up and delivered some mind-bending releases in the past on cynosure, haunt and meander. for fans of villalobos & co

following last month’s uncompromising ‘yearn’ ep from j.tijn, pennyroyal continues to invest in techno’s kicks of tomorrow by welcoming myler into our family circle. with releases on fifth wall and apothecary compositions already under his belt, myler powers forward with three hits of medicinal grade club fuel. the saturated drum bump of lead track ‘gorilla biscuits’ dunks hard with its rolling groove and percussive hook, playing out with the bounce of 90’s strictly rhythm counterpointed by fierce snarls and switch up’s that evoke 90s’ reinforced. the shortbread edit is for the happy faced warehouse crew, pushing the same driving groove through some toughening acid treatments. ‘carol vorderman’ is the most abrasive of the pack spitting out stressed kicks and crumbling stabs for the won’t leave the venue crew.

>> oh it was gorgeousness and gorgeosity made flesh. the trombones crunched redgold under my bed, and behind my gulliver the trumpets three-wise silverflamed, and there by the door the timps rolling through my guts and out again crunched like candy thunder. oh, it was wonder of wonders. and then, a bird of like rarest spun heavenmetal, or like silvery wine flowing in a spaceship, gravity all nonsense now, came the violin solo above all the other strings, and those strings were like a cage of silk round my bed. then flute and oboe bored, like worms of like platinum, into the thick thick toffee gold and silver. i was in such bliss, my brothers.<

whoever is behind the ac exp project has clearly worked very hard to ensure their identity remains under wraps, with zilch info out there on the big old internet. which is a shame because theres a degree of class to the two untitled productions on this 10- that demands some recognition. both are unassuming club tools that any deep house selector will appreciate a few hours into their set, all swirling, dubby atmospherics, tunnelling rhythms and snapping percussion.